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Титульная страница Менеджмент Цель системы качества Управление качеством Методология моделирования процесса (IDEF) Стандарты менеджмента Cистема менеджмента качества ISO 9001 Total Quality Management Экологический менеджмент Качество в лабораториях ISO 17025 Аудит систем менеджмента качества Отраслевые стандарты Качество в IT Качество в фармацевтике Безопасность на производстве OHSAS 18001 Оформление документации Ссылки	Mastering CorelDRAW 9 Introduction PART I—A Quick Tour Of CorelDRAW Chapter 1—A Tour of the Tools Surfing the Interface The Supporting Actors Understanding Dialog Boxes Exploring the Standard Toolbar Working with Dockers Exploring the Toolbox The Pick Tool The Shape Edit Flyout The Zoom Flyout The Curve Flyout The Rectangle and Ellipse Tools The Object Flyout The Text Tool The Fill Flyout The Interactive Transparency Tool The Interactive Tool Flyout The Eyedropper Flyout The Outline Flyout The Fill Flyout Browsing the Menus The File Menu The Edit Menu The View Menu The Layout Menu The Arrange Menu The Effects Menu The Bitmaps Menu The Text Menu The Tools Menu The Window Menu The Help Menu Chapter 2—What’s New in CorelDRAW CorelDRAW 8 More Interactivity CorelDRAW 8’s Interface Creation Tools Object Controls Text Features Internet-Specific Features Font Navigator Backgrounds When All Is Said and Done... CorelDRAW 9 CorelDRAW 9’s Interface Page Layout and Setup Better Palette Control New Tools, New Functionality Changes to Text Handling Printing Improvements Import/Export Publishing to PDF Publishing to the Internet Other Things It’s Soup PART II—Life in an Object-Oriented World Chapter 3—The Miracle of the Click: Maneuvering the Mouse Working with Objects Creating, Moving, and Changing Objects Importing Objects Pasting Objects Dragging and Dropping Objects Using the Symbols Library DRAW’s Scrapbook Using Fills and Outlines Selecting Multiple Objects Turning Many Objects into One Grouping Objects Combining Objects Welding Objects Locking and Unlocking Objects Other Points of Interest Saving and Opening Files Zooming Aligning Elements Using Undo Copying Properties Using the Repeat Command Drag-and-Dupe (a.k.a. Leave Original) Right-Click ‘til You Drop Step by Step: Spyrograph Revisited Chapter 4—As the Curve Turns The Science of Curves and Lines What Are These Nodes? Which Kind Is It? Draw Straight, Curve Later Drawing with a Not-So-Free Hand Artistic Media: the New Kid on the Block Drawing with the Bézier Tool Undrawing with Eraser and Knife When a Curve Isn’t a Curve (Yet) Converting Objects to Curves Step by Step: a Potpourri of Tracing Options Where Do the Nodes Go? Using the Bézier Tool: Not Quick, Just Clean Going Freeform: Head for the Hills! Autotracing: You Might Get Lucky Chapter 5—Making Arrangements Transformations 101 Working with the Transformation Dockers Friendlier Degrees The Curse of the Scaled Outline Aligning with Aplomb Distributed Thinking The Rest of the Team Order Group Combine and Break Apart Lock and Unlock Shaping Separate Convert to Curves Convert Outline to Object Chapter 6—Applying Fill Patterns Understanding Fills Applying Uniform Fills Using the Dialog Setting a Default Fill Using the On-Screen Palette Using the Color Docker Adding Flair with Fountains Making Sense of Steps Like a Fountain Fill? Bottle It Going Interactive The Last Word on Fountain Fills Applying Complex Fills Two-Color Patterns Full-Color Patterns Bitmap Patterns PostScript Patterns Texture Fills The Appeal of the Palette The Concept of the Color Model Using Custom Palettes Creating Your Own Palettes Keep It Simple On-Screen Niceties The Eyedropper On-Screen Palette Tricks Step by Step A Colorful Star Textured Text Chapter 7—Understanding Outlines Accessing DRAW’s Outline Tools Penning an Outline Outline Width Arrows Line Style Color Corners Line Caps Calligraphy Behind Fill Scale with Image The Outline Color Dialog Setting the Outline Pen Defaults PART III—Mastering Text Chapter 8—Working with Text DRAW 9 Is Kosher for Windows Artistic and Paragraph Text Change Its Size Change Its Formatting Change Its Alignment Adjust Spacing Kern Individual Characters Format Individual Characters Check for Spelling and Synonyms The Wonder of Artistic Text Size, Rotate, and Skew Fill with Any Pattern Apply Special Effects Shape around a Path Node-Edit the Letter Forms Do All of These at Once Chapter 9—Working with Paragraph Text The Purpose of the Paragraph Better Redraw and Bigger Capacity Better Text Control Irregular Text Wrapping Navigating Your Way On-Screen Controls Proofreading Full Alignment of Text Editing Controls Choosing between Artistic and Paragraph Text When Is Artistic Text the Best Choice? When Is Paragraph Text the Best Choice? Switching from One to the Other Remember the Hotkeys Importing Text Chapter 10—Advanced Text Handling Shaping Text to Objects Flowing Text around an Object Flowing Text within an Object Warping Artistic Text Fitting Text to a Curve Transparent Text Creating a Text Mask Working with “Untext” PART IV—Effects and Affects Chapter 11—When Objects Collide The Shaping Triumvirate The Source Object The Target Object Leaving the Original Finding the Intersection Cookie Cutters and Cookie Dough Melting Objects Together Creating Silhouettes Outlining Script Text Preparing for Sign Making The Advanced Options Step by Step: Turning Many Shapes into One Chapter 12—A Matter of Perspective Adding Perspective One-Point Perspective Two-Point Perspective Our Perspective on Perspectives Step by Step: A Three-Dimensional Cube Creating the Frame Creating the Sides of the Cube Chapter 13—The Envelope, Please Creating an Envelope Enveloping Fundamentals The Four Modes All about Mapping Options Keeping Lines As Lines Automatic Envelopes Envelopes and Text Step by Step: Using Envelope to Create a Reflection Chapter 14—Blending It All Together Blending Objects The Anatomy of a Blend What Makes a Good Blend? The Blend Controls Steps and Spaces Rotation Color Direction Acceleration Miscellaneous Blend Options Starting Points Paths The Art of Blends The Science of Blends Chapter 15—The Enigma of Extrude Faking Out Reality Perspective vs. Isometric Controlling an Extrusion Extrusion Type Depth The Vanishing Point Rotation Applying Color and Lighting Beveling Chapter 16—The Different Faces of Contour Concentric? Say What?? Innies and Outies Working the Controls Better Outlines with Contour Open Contours Create a Contour, Take a Coffee Break Whither Contour? Chapter 17—Through the Looking Glass New Lenses on Life Transparency Brighten Color Add Color Limit Custom Color Map Fish Eye Heat Map Invert Magnify Tinted Grayscale Wireframe No Lens Effect Frozen Lenses Changing Your Point of View Combining Lenses Learning to Use the Lenses Tinted Grayscale for Cheap Color Heat Map Using Brighten to Create Text Backdrops The Miracle of Interactive Transparency No More Docking and Applying Just Like Filling an Object Transparent Anything Step by Step: Making Dreams Come True Now the Downside... Chapter 18—Dropping Shadows Hard vs. Soft Shadows and Vectors Don’t Mix Shadows and Bitmaps Are Made for Each Other Enter the Interactive Drop Shadow Once around Drop Shadow Caveat Flashlight: Don’t Get Carried Away! Separation Anxiety Chapter 19—The Power of the Clip The “Stuff Inside” Command PowerClip Basics PowerClip in the Field Creating Motion Montages with Flair Lots of Containers Editing Powerclips Avoid Auto-Centering Use the Lock Contents Option Group while Editing Faking 3D with PowerClip PART V—Drawing for Cyberspace Chapter 20—The Basics of Creating Web Graphics Web Page Basics Color Is Cake No Dots to Deal With Instant Feedback The Flavors of the Web The GIF Format Creating a GIF File Fine-Tuning Your GIF File The ABCs of Anti-Aliasing The JPEG Format Chapter 21—Creating a Web Graphics Laboratory Think Pixels Setting the Stage for Web Creation Building a Better Background Using Graphics As Backgrounds Step by Step: A New Background for Altman.com Finishing the Laboratory Start Designing Start Exporting Chapter 22—Strategies for Webmastering Exporting Graphics: CanDRAWPassMuster? In Pursuit of Cleaner Graphics Use PAINT for Clean-Up Export from DRAW, Import to PAINT Use the Clipboard The Super-Export Strategy Judge for Yourself All about Image Maps Building an Image Map in DRAW Ready to Export Image Map Caveats From DRAW Straight to the Web What Is HTML Compatible Text? Warning, Warning...Danger...Conflict Layers and Styles A Question of Purpose Miscellaneous Musings aboutWebPages On-Screen Proofing Is Hazardous toYourJob Security The Ongoing Struggle for Smaller Graphics Repeat Graphics Whenever Possible Hide Large Graphics Can You Achieve Absence of Ugliness? The Whole World Is Watching PART VI—The Bitmap Era Chapter 23—The Bitmap Era Is Here Why Bitmaps? From Vector to Bitmap Resolution and Color From Bitmap to Bitmap Edit Bitmap Crop Bitmap Trace Bitmap Resample Mode Inflate Bitmap Bitmap Color Mask Resolve Link/Update from Link Those Wild and Crazy Effects When Soft Meets Hard Chapter 24—An Introduction To Photo-Paint PAINT or DRAW? The Many Faces of PAINT A Quick Tour of PAINT The Professional Darkroom The Art Studio Surviving PAINT Chapter 25—PHOTO-PAINT Survival Skills Converting Images Grayscale Black and White Duotone Paletted RGB Lab Color CMYK Multichannel Searching and Replacing Pixels Identifying the Colors Using the Color Replacer Strategies for Successful Replacing Clone: The Quicker Fixer-Upper Clone Fundamentals Repairing Jamie The Magic of the Mask The Basics of Masking Real-World Masking More on Masking Out the Door PART VII—The CorelDRAW Freeway Chapter 26—Print, Darn You! You Can’t Print What You Can’t Set Up DRAW Does BIG Page Setup: The Basics Printing...At Last! General Layout Separations Prepress PostScript What? More Options? The Preflight Page The Fine Art of Previewing The View Menu The Settings Menu The Standard Toolbar The Toolbox and Its Property Bar Pick Tool Imposition Layout Tool Marks Placement Tool Zoom Tool Putting It All Together: CreatingaPrint Style Tips for Reliable Printing Simplifying Vector Objects Handling Bitmaps Fonts and Fills Other Tips for Printing Tricks with Color Substitutions Chapter 27—Color for the Color Blind Do You See the Light? The ABCs of RGB Reflections on CMYK The Two Kinds of Ink Spots of Paint The Process of Transparent Ink Separation Anxiety Making a Proof Making a Print File Trap Your Colors Before They Trap You Where Colors Touch Eight Ways to Deal with Trapping How CorelDRAW Lies to You When Blue Is Purple What Is Color Management And Why Should You Care? Corel’s Color Management System But Does It Work? Chapter 28—Publising to PDF Not Your Father’s PDF Tool OK, It Works. But Why Should I Use It? A PDF Torture Test The Envelope, Please The Options General Objects Advanced Document Should You Dump Distiller? Chapter 29—Sneaking over the Border: Importing Files from Other Sources Why Import? Importing Clipart What Happens When You Import? Wash and Wax: Importing Details Let DRAW Figure the Flavor? The Import Dialog Dragging and Dropping The Road Test The Vector Interchange Slow, Bitmaps Crossing Lots of Dots, Lots of Data Importing Text Digital Cameras Chapter 30—Exit, Stage Left: Exporting Files to Other Formats Choosing Your Weapon The Export Dialog Road Test Revisited Traditional and Other Printed Media Exporting to Bitmap Formats The Dialog By Popular Demand The Clipboard and Other OLE Matters PART VIII—Taking Control Chapter 31—Using Styles What Is a Style? Using the Styles Docker Creating and Applying Styles Graphic Styles Artistic Text Styles Paragraph Text Styles Applying Styles Changing Style Attributes Overriding Style Attributes Renaming, Deleting, and FindingStyles When and When Not to Use Styles Working with Templates The Default Template Creating a New Template Using Your Templates Succeeding with Styles and Templates The Color Styles Idea Creating Color Styles Manually Creating Color Styles Automatically Controlling Automatic Color Style Creation Creating Shades Chapter 32—Finding and Managing Objects When Going Nongraphical Is Good The Lowdown on Layers The Object Manager Naming Objects Finding and Replacing Objects Chapter 33—Scripting Success Scripts: the Evolution Script Basics Recording a Script What You Can and Can’t Record Playing Back Your Scripts Working with Text Advanced Scripting Turning a Script into a Command Auto-scripting Choosing between a Style, aScript,and a Scrap Situations That Call for Styles Situations That Call for Scripts Situations That Call for the Scrapbook Chapter 34—Your Very Own Interface CorelDRAW’s Control Room Creating Workspaces Flying Tools Flying Flyouts You Say Tomato... Realigning Alignment Standard? Says Who?? Interchangeable Parts Building Your Own Interface Special Tools for a Special Project Cleaning Up Your Environment Menu Mania Adding and Removing Menu Items Creating New Menus The Keys to Happiness Managing Workspaces DRAW’s Configuration Files Moving Workspaces What’s Next Appendix A Index