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Титульная страница Менеджмент Цель системы качества Управление качеством Методология моделирования процесса (IDEF) Стандарты менеджмента Cистема менеджмента качества ISO 9001 Total Quality Management Экологический менеджмент Качество в лабораториях ISO 17025 Аудит систем менеджмента качества Отраслевые стандарты Качество в IT Качество в фармацевтике Безопасность на производстве OHSAS 18001 Оформление документации Ссылки	Mastering 3D Studio MAX R3 Introduction PART I—3D Studio Max Basics CHAPTER 1—Basic 3d Graphics Concepts Living in The 3D World: The X, Y, and Z Viewing in 3D Looking at Viewports Building Vertices, Edges, and Faces Vertices Edges Faces Polygons Elements Understanding How Animation Happens Stop Motion Cel Keyframe Summary CHAPTER 2—Basic MAX Concepts Understanding MAX’s Object Concepts Following the Object Dataflow Understanding MAX’s Concepts of Space World Coordinates Local Coordinates Screen Coordinates View Coordinates Grid Coordinates Parent Coordinates Pick Coordinates Understanding MAX’s Concepts of Time Animation Playback Frames vs. Fields Keys Function Curves Understanding MAX’s Rendering Options Rendering to Still-Image File Formats Rendering to Animated File Formats Summary CHAPTER 3—The MAX Interface Accessing Commands in the Menu Bar File Menu Edit Menu Tools Menu Group Menu Views Menu Rendering Menu Track View Menu Schematic View Menu Customize Menu MAXScript Menu Help Menu Accessing Features in the Shelf Area Main Toolbar Examining Other Tabs Customizing the Shelf Area The Command Panel Create Tab Modify Tab Hierarchy Tab Motion Tab Display Tab Utility Tab Navigating in Viewports Standard Tools Camera Tools Light Tools Understanding Specialized User Interface Tools Using the Time Control Area Using the Material Editor Using the Track View Summary PART II—Modeling CHAPTER 4—Basic MAX Modeling Tools Defining Model Types Building Models Building from Standard and Extended Primitives Choosing Modeling Tools Editing Sub-Objects with Modeling Tools Creating Models with Compound Objects Understanding Compound Objects Modifying with Booleans Lofting for Special Model Types Using Connect Merging with ShapeMerge Using the Terrain Compound Object Working with Other Compound Objects Hands-on MAX: Low-Polygon Game Database Modeling Building Up The House Reducing Polygons Through the Modifier Stack Renaming the Stack Applying Materials Creating Material ID and Mapping Coordinates Mapping the Roof Summary CHAPTER 5—Organic Modeling Modeling Organic Forms Choosing a Modeling Approach Understanding Splines Modeling with Patches Building and Editing Patch Surfaces Converting a Loft Object to Patches Using Surface Tools Hands-on MAX: Modeling a Narwhale with Surface Tools Modeling with NURBS Understanding NURBS Working with the NURBS Toolbox Subdivision Surface Modeling with NURMS Hands-on MAX: Organic Box Modeling Creating the Base Object Adding the Active MeshSmooth Creating the Arm Giving the Character a Hand Creating the Neck and Head Building the Leg and Foot Making the Object Whole Summary PART III—Animation CHAPTER 6—Keys to Animation Grasping Concepts of Time in Animation Understanding Keyframe Animation Timing Your Animation Working with the MAX Animation Tools Using the Time Control Area Using the Animate Button Exploring The Track View Getting Started Animating in MAX Animating Transforms Animating Parameters Animating Sub-Objects Animating Particle Systems Morphing Using Controllers to Animate Using the Default Controllers Changing a Controller Nesting Controllers Using Other Controllers Summary CHAPTER 7—Advancing Your Animation Skills Using the Track View to Animate Creating Keys Editing Keys Moving and Copying Keys Interpolating Between Keyframes Shaping Function Curves with Tangent Types Applying Parameter Curve Out-of-Range Options Using Dummy Objects Providing a Handle Separating Motion Components Providing a Second Pivot Point Animating Hierarchies Linking up a Simple Hierarchy Using Forward Kinematics Using Inverse Kinematics Working in Character Studio The Biped System The Physique Modifier Layered Motion Summary PART IV—Materials and Lighting CHAPTER 8—Basic Materials Understanding CG Shading Applying Mapping Coordinates Mastering the Material Editor Moving Around in The Material Editor User Interface Understanding Common Material Types Standard Materials Other Material Types Understanding Map Types 2D Map Types Compositors Other Maps Summary CHAPTER 9—Advanced Materials Understanding Raytrace Materials Setting Basic Parameters Setting Extended Parameters Applying Maps to a Raytrace Material Setting Raytracer Controls Using Dynamics Properties Creating Matte/Shadow Materials Building Compound Materials Creating a Double Sided Material Creating a Top/Bottom Material Creating a Composite Material Creating a Shellac Material New Materials Features in Release 3 Altering Map Outputs Supersampling Understanding Camera Mapping How Camera Mapping Works Matching Your Camera to Your Photo Matching Simple Geometry to Your Photo Applying the Camera Map Modifier Summary CHAPTER 10—Adding Color And Light Understanding Color Models The Subtractive Model The Additive Models The HSV Model The HWB Model Exploring the Color and Light Tools in MAX Default Lighting Creating Light Objects Adjusting Lights in the Light Viewport Adjusting Lights with the Place Highlight Tool Using the Light Lister Saving Your Colors to a Clipboard Setting Your Light Parameters Coloring Light Multiplying Light Intensity Excluding Objects Attenuating Light at a Distance Adjusting the Hotspot and Falloff Casting Shadows Affecting Surfaces Projecting Maps from Lights Adding Atmospheric Effects Simulating Light and Color in 2D Simulating Aerial Perspective Using Advancing and Receding Colors Using Contrast and Harmony Painting Light and Shadows Designing Your Lighting Using a Three-Point Light Setup Zone Lighting Mood Lighting Accent Lighting Lighting for the Camera Using Vertex Colors to Replace Lighting Summary PART V—Rendering and Compositing CHAPTER 11—Rendering and Environmental Effects Understanding Rendering Creating Environments Adding an Environment Background Setting the Global Lighting Creating Atmospheres Using MAX’s Rendering Tools Invoking the Renderer Using the Virtual Frame Buffer Preview Rendering Choosing Your Render Settings Common Parameters Rollout Scanline Renderer Rollout Network Rendering Setting Up Your Network Setting Up Network Rendering for MAX Sending a Network Render Monitoring the Render Queue Troubleshooting a Render Using the RAM Player Using the Render Effects Dialog Box Choosing a Render Effect Choosing Lens Effect Settings Applying Render Effects Interactively Hands-on MAX: A Complete Faucet Animation Preparing the Faucet Loft Path Creating the Loft Object Cross-Section Lofting the Faucet Using Faces Efficiently Adding a Space Warp with a Path Controller Editing the Space Warp Timing Binding the Displace to the Faucet Adjusting the Effect Range Adjusting the Animation Length Creating the Water Adjusting the Super Spray Parameters Simulating Water with MetaParticles Merging the Faucet with the Rest of the Scene Applying Materials to the Faucet Synchronizing the Animations Using a UOmniFlect Space Warp Rendering the Completed Animation Summary CHAPTER 12—Post-Production and Compositing Understanding Video Post Using Video Post Tools Adding a Scene Event Adding an Image Input Event Adding an Image Filter Event Add an Image Output Event! Executing the Video Post Queue Choosing Image Filters Editing Video Clips Using the Alignment Tools Cross-Fading between Two Events Compositing Video Clips Understanding Alpha Channels Using an Alpha Compositor Hands-on MAX: Compositing Reflections of a Mirror with Another Image Assigning a Matte Material Capturing the Reflections with a Raytrace Map Rendering a 32-bit Targa Sequence Loading the Targa Sequence and Movie File into Video Post Compositing the Files Together Summary PART VI—Using MaxScript CHAPTER 13—MAXScript Basics The MAXScript User Interface Utility Tab and Menu Bar Macro Recorder Listener MAXScript Editor Plug-in Scripts Working in MAXScript Using the Macro Recorder Macro Recorder Limitations Working with Variables Assigning Variables Performing Math Operations Performing Basic Math Operations Performing Advanced Math Operations Using Strings Outputting String Variables Using Special Characters in String Values Manipulating Strings Entering Data Using Conditions If... Repeating Tasks Arrays Sequential Tasks Non-Sequential Tasks Creating Functions Organizing Complex Data Text File I/O: Reading and Writing Data Managing Files Reading and Writing Data Summary CHAPTER 14—Manipulating Scenes with Maxscript Scripting Objects Creating an Object and Accessing Its Properties Accessing an Object by Name Working with Selections Accessing Global Object Properties Spline Properties Replicating Objects Accessing an Object’s Position, Rotation, and Scale Hands-On MAXScript: Creating an Array and Changing the Rotation Creating Materials Standard Materials Working with Maps in Materials Material Editor Material Libraries Other Materials and Maps Recording Materials Hands-On MAXScript: Adding a Noise Bump Map to a Material Working with Modifiers and Modifier Options Adding Modifiers Using Modifier Options Global Options Working in Sub-Object Level Space Warps Hands-On MAXScript: Creating a Material and Applying It to a Selected Object Creating and Managing a Hierarchy Using Environment and Render Effects Accessing Global Environment Variables Creating Environment Effects and Atmospheric Gizmos Creating Render Effects Hands-On MAXScript: Creating an Explosion Working with Splines Creating Shapes Converting Shapes to Splines Understanding Splines Editing Splines Creating Splines from Scratch The Edit Spline Command Hands-On MAXScript: Copying and Editing a Spline Working with Meshes Converting Objects to Editable Meshes Mesh Properties Accessing Vertex, Face, and Edge Information Working with Edit Mesh, Edit Patch, and Edit Spline Hands-On MAXScript: Creating a Scatter and Adjusting Vertex Color Summary CHAPTER 15—Creating A User Interface Designing Utilities Creating a Utility Other Interface Items Creating Alert Messages Building Rollouts Adding and Removing Rollouts Floater Building Shortcut Menus Summary CHAPTER 16—Animating with MAXScript Working with Animation Controllers Assigning Controllers Track View Properties Hands-on MAXScript: A Collapse Position Floater Hands-on MAX: Expression Controller Script Controller Animating Vertices Manipulating Rendering Results Rendering Images Manipulating Bitmaps with MAXScript Bitmap I/O Pixel Manipulation Rendered Channel Information Bitmaps in the UI Summary CHAPTER 17—Advanced Scripting Declaring Global and Local Variables Preparing Startup Scripts Macro Scripts Plug-in Scripts Using Scene Scripts Persistent Variables and Functions Change Handlers Working with MAX Files Opening and Saving Other File Commands Xref Customizing Viewports Viewport Layout Viewport Type Miscellaneous Viewport Manipulation Accessing Global Functions and Properties MAX Interface File Management Summary CHAPTER 18—Plug-in Scripts Creating Tools Creating Plug-in Scripts Creating Extended Plug-in Scripts Building Geometry Using Plug-ins Summary Appendix A Appendix B Index